George Harrison has the unique distinction of being both the first and the last ex-Beatle to score a number one hit on the Billboard Hot 100. “My Sweet Lord” reached the top slot on December 26, 1970, and stayed there for four weeks; “Got My Mind Set on You” hit number one on January 16, 1988, for one week.
Paul was the next former Beatle to follow George to the top of the charts as “Uncle Albert/Admiral Halsey”, which was credited to Paul & Linda Cartney, as well as written and produced by the husband-and-wife combo, topped the charts for one week on September 4, 1971. The next former member of the Fab Four to reach the coveted plateau was Ringo, who scored with “Photograph” for one week on November 24, 1973, a song written by Ringo and George Harrison, and produced by Richard Perry. Finally, John had his first number one hit with “Whatever Gets You Thru the Night”, a song he wrote and produced, which stayed in the top slot for one week beginning on November 24, 1974.
“My Sweet Lord” entered the Top 40 of the Billboard Hot 100 on December 5, 1970, and stayed there for 13 weeks. The single was released in the U.S. prior to the release of the triple album All Things Must Pass whereas in the UK the single was released six weeks after the release of the album.
Of course, “My Sweet Lord” was the target of a copyright infringement lawsuit but that complicated issue is a whole blog post in itself. The March 6, 1971, issue of Billboard stated that royalty payments to Harrison had been halted all over the world until settlement of the dispute. Of course, the situation sparked the song “This Song” on George’s 1976 album Thirty Three and 1/3, which spoofed the whole plagiarism case.
In the summer of 1963, the four members of The Beatles had a two week vacation that saw George visit his sister Louise in the U.S. While there he bought an album by James Ray, which included a song written by Rudy Clark “Got My Mind Set on You”. The song stuck in Harrison’s memory bank.
“Got My Mind Set on You” was the second number one song by an ex-Beatle to have been written by someone else. The first was when Ringo topped the charts in January 1974 with “You’re Sixteen”, which was written by Richard Sherman and Robert Sherman.
With “Got My Mind Set on You” topping the charts in January 1988, it set a record for the longest gap between number one hits for an artist or group, as Harrison’s previous number one record was “Give Me Love (Give Me Peace on Earth)” which reached the top slot on June 30, 1973. However, that record was broken months later when the Beach Boys scored a number one with “Kokomo” on November 5, 1988, some 22 years after their last number one hit o “Good Vibrations” topped the charts on December 10, 1966.
Two videos were made for the song, both of which were directed by Gary Weis. The second video, which shows Harrison playing guitar in a haunted house while various things around him come alive, definitely became the most popular one.
“Take It Away” has a lively history. Originally among a group of songs that Paul wrote to give to Ringo, he decided he wanted to keep it for himself. It was originally slated to be recorded for the last Wings album, it was a holdover that appeared on Paul’s 1982 album Tug of War, his third solo album.
The song spent 16 weeks on the Billboard Hot 100, including a strange five consecutive week stay in the number ten position in late July through August. The song entered the Top 40 on July 17, 1982, and stayed there for eleven weeks. The song reached # 15 on the UK charts.
“Take It Away” was released on the heels of the end of the reign at #1 on the charts of “Ebony and Ivory”, Paul’s duet with Stevie Wonder, which topped the Billboard Hot 100 for seven weeks in the U.S. and was a number one hit in countless other countries. It was Paul’s first collaboration with a major artist and foreshadowed his future collaborations with Michael Jackson.
The song represented a mini-Beatles reunion of sorts as it was produced by George Martin, who also played electric piano on the track, and Ringo played drums on the track.
George Martin and Ringo both appeared in the video for the song as members of the band, as did Linda McCartney and Eric Stewart, who played on the track. Barbara Bach appeared in the video, which was directed by John Mackenzie.
The video for “Take It Away” was unique. Coming less than a year after the start of the MTV network on August 1, 1981, it was the first ever video to feature a paid actor. BAFTA-winning and Oscar-nominated actor John Hurt, the most popular actor in the UK at the time, stars as the entertainment mogul. Of course, having paying big movie stars to appear in high-profile music videos would become popular as the 1980’s evolved.
The show “Happy Days” debuted on ABC as a midseason replacement show on January 15, 1974, and was an instant hit. Nostalgia of the 1950’s was popular in 1974 with shows like “Happy Days” and the movie American Graffiti leading the way. Coincidentally, the kind of music associated with that time period was what John Lennon was featuring on his upcoming album Rock ‘n’ Roll, which was still in production when “Happy Days” debuted to rave reviews. Lennon’s fifth solo album featured his doing cover versions of rock standards of the late 1950’s and early 1960’s, the music of his Liverpool youth. Naturally, Lennon was an instant fan of “Happy Days”.
The article also tells how ten years later in 1984 when Julian Lennon appeared on the show “Solid Gold” to promote his hit song “Valotte“, he appeared at Henry Winkler’s dressing room, which was on the next set, and asked “The Fonz” if he remembered him.
The forthcoming Rock ‘n’ Roll album, which was still in production at the time of Lennon’s visit to the “Happy Days” set, would have many songs which would be of the era evoked by the nostalgic tv show, such as “Be-Bop-a-Lula”, “Stand By Me”, “Ain’t That a Shame”, “Do You Want to Dance”, “Sweet Little Sixteen”, “Peggy Sue” and “Ya Ya.”
Generally, I do not post links to articles outright for a post, but today I will as two articles that I saw today stood out for me.
On the website MentalFloss.com the article “When Muhammad Ali Tried to Reunite The Beatles” was brought to my attention this afternoon. Of course, as is well known, the four boys met Muhammad Ali on their first trip to the U.S. in Miami Beach and the famous photo was taken of the four of them standing in a straight line and Ali landing a straight punch to the four of them.
Actually, Muhammad Ali and The Beatles have common ethnic heritage. Three of the four Beatles have great-grandparents from Ireland. On his father’s side, all of John Lennon’s great-grandparents were from Ireland, mainly County Derry and Dublin. George Harrison had great-grandparents from Ireland, from Dublin and County Wicklow. Paul McCartney’s great-grandfather James McCartney was from Ireland, as well as his maternal grandfather, Owen Mohin from County Monaghan. Muhammad Ali also had a great-grandfather who was an Irish immigrant, Abraham Grady, from the town of Ennis in County Clare. This October 30, 2024 article on Irish Central, “The Story of Muhammad Ali’s Irish Roots“, details how Abraham Grady immigrated to Kentucky and married a freed slave. The couple’s great-grandson was Cassius Clay, who later would change his name to Muhammad Ali.
The Christmas season has officially begun as two days ago I heard “Wonderful Christmastime” for the first time of the year. As is the case each year during the holiday season, Paul’s Christmas song “Wonderful Christmastime” is in heavy rotation on the airwaves. This McCartney solo song was recorded in 1979 during the recording of McCartney II, with Paul laying down all the tracks himself at the home studio on his farm. Though not a Wings single, all of the members of the final configuration of Wings appeared in the video which was filmed at The Fountain Inn in Ashurst, West Sussex.
To say that it is a McCartney “solo” song is an understatement. He both wrote and produced the song in addition to providing vocals, keyboards, synthesizers, guitars, bass, and drums.
“Wonderful Christmastime” reached # 6 on the UK Singles Chart, but did not chart on the Billboard Hot 100 in the U.S. Since its debut during the 1979 holiday season, it was estimated by Forbes magazine that the song has earned Paul $30 million dollars. Each holiday season the song rakes him in excess of $600,000.
Beatles fans will remember that McCartney performed “Wonderful Christmastime” on Saturday Night Live on December 15, 2012.
In addition, Beatles fans will remember that there was never an official Christmas song released by the Fab Four. However, members of the official Beatles Fan Club received a record of Christmas song in 1967 that was not released commercially. “Christmas Time Is Here Again” lived on in bootleg records and became more accessible with the advent of YouTube.com.
Ironically, Paul can be heard on Side B of the monstrously successful 1984 charity single “Do They Know It’s Christmas?” by Band Aid. This song knocked out Wings’ “Mull of Kintyre” from having the distinction of being the biggest selling single in the history of the UK. It was on top of the UK Singles Charts in Christmas 1977. For whatever reason, “Mull of Kintyre” was a flop in the U.S., only reaching # 33 on the Billboard Hot 100 and cracking the Top 40 for only that one week. “Mull of Kintyre” was a massive international hit that topped the charts in countless countries. Paul has never performed the song in a concert in the U.S. due to its bad performance there; however, there have been instances over the years in which he does a concert one night in the U.S. without performing “Mull of Kintyre” and then two nights later adds it to the playlist for a concert in Canada. “Mull of Kintyre” still remains the biggest selling non-charity single in UK history. In 1984 people were urged to buy multiple copies of “Do They Know It’s Christmas?” to support African famine relief, so “Mull of Kintyre” retains its unique place in history.
The Beatles were not the first British act to top the Billboard Hot 100. Some 20 months before the Fab Four monopolized the U.S. charts in February 1964 and ushered in the British Invasion, clarinetist Acker Bilk scored a # 1 hit on May 26, 1962 with the instrumental song “Stranger on the Shore”, which stayed in the top slot for one week.
Originally titled “Jenny” after his young daughter, the song was to be used as the theme song for a new BBC television show “Stranger on the Shore”, so the title of the song was changed to match the name of the show. The instrumental song is an unlikely forerunner to the British Invasion and was Bilk’s only hit in the U.S.
Seven months later, on December 22, 1962, the second British act to hit number one in the U.S., and the first British group, The Tornadoes, topped the charts for three weeks with “Telstar”, another instrumental.
Written and produced by Joe Meek, “Telstar” was performed by The Tornadoes, a band that producer Meek had put together himself and had started out by backing up singer Billy Fury.
Named after the Telstar communications satellite, which was launched into orbit on July 10, 1962, the record sold five million copies worldwide. In 2007, Tim Wheeler of Ash wrote that “Telstar” was one of the earliest pop songs influenced by science fiction, and that “for its time it was so futuristic, and it still sounds pretty weird today.”
The Tornadoes had a few more hits in Britain, but “Telstar” was their only hit in the U.S.
My favorite Beatles song of all time is “September in the Rain”, a song which was never officially released by The Beatles. It was performed by the band during their famous unsuccessful audition for Decca Records at Decca Studios in North London on January 1, 1962. Of course, the songs performed on the audition have long lived on in the bootleg world; five of the songs – “Searchin’”, “Three Cool Cats”, “The Sheik of Araby”, “Like Dreamers Do”, and “Hello Little Girl” – were officially released for the first time in 1995 on Anthology 1. As was noted in the media at the time, the release of these five songs from the Decca sessions, along with five other tracks, represented the first official Beatles releases with Pete Best on drums, and hence the first time that Best made financial gain as a Beatle albeit more than thirty years later. Well deserved! As is well known, almost nine months after the ill-fated Decca audition, on August 16, 1962, drummer Pete Best was fired from the band and replaced with Ringo Starr. Starr had been the drummer with rival Liverpool band Rory Storm & The Hurricanes, who almost two years before had simultaneously played in the same Hamburg club, the Kaiserkeller, with The Beatles. On the occasions that Pete Best would not show up for the gigs for whatever reasons, Ringo Starr would be forced to do double duty and stay on stage when his sets with Rory Storm were over and sit in with The Beatles for their entire sets. He fit in cohesively with the three lads in terms of personality, something that Pete Best did not exactly achieve.
“September in the Rain” was written by Harry Warren and Al Dubin. Warren (1893-1981), born Salvatore Antonio Guaranga, is noted as the first major American songwriter to have written primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for “Lullaby of Broadway”, “You’ll Never Know” and “On the Atchison, Topeka and the Santa Fe.” Harry Warren wrote over 800 songs in his career, and many hits. Some of his hit songs were “I Only Have Eyes for You”, “You Must Have Been a Beautiful Baby”, “Jeepers Creepers”, “The Gold Diggers’ Song (We’re in the Money)”, “That’s Amore”, “Chattanooga Choo Choo”, and countless other hits. “Chattanooga Choo Choo” was the first song to be awarded “gold record” distinction in the music industry.
“September in the Rain” was introduced by James Melton in the 1937 film Melody for Two, an American musical starring Melton, Patricia Ellis and Marie Willis. It would go on to be recorded by many and varied artists over the decades. Among the extensive list of artists who have recorded the song are Guy Lombardo, Julie London, Teresa Brewer, Lionel Hampton, Joe Williams, Willie Nelson, Frank Sinatra, Doris Day, Bing Crosby, and Jools Holland.
Both John and Paul were big fans of show tunes. “September in the Rain” was a favorite of Paul’s, and he certainly did a great job of belting out the lead vocals.
We recently commemorated the 60th anniversary of The Beatles famous debut on “The Ed Sullivan Show” and how it launched Beatlemania in the U.S. Well, it wasn’t only young people who were affected. Writers of sitcoms in the U.S. jumped on the bandwagon as three shows wrote in Beatles-like scenarios into episodes.
Almost a year to the day after the appearance with Ed Sullivan, the highly rated sitcom “The Dick Van Dyke Show” ran episode titled “The Redcoats Are Coming” on February 10, 1965 which played into the Beatles hysteria reminiscent from “The Ed Sullivan Show”. The 30 minute show centered upon Rob Petrie, the character played by Dick Van Dyke who is the head writer of the popular show “The Alan Brady Show” which is a weekly show somewhat similar to “The Ed Sullivan Show”, who has to hide a popular British pop duo at his home for a night before they appear on “The Alan Brady Show”. However, the “catch” was that Rob Petrie and his wife Laura, played by Mary Tyler Moore, were sworn to secrecy and could not tell anyone for fear that it could set off a Beatlemania-like frenzy.
The British pop duo was the fictitious “Fred & Ernie”, who were played by the real life Chad Stuart and Jeremy Clyde who performed under the name “Chad & Jeremy”. Fans of modern day British television know Jeremy Clyde for his high-profile acting roles on series like “Downton Abbey” and “Inspector Morse”. It made for an interesting episode of the famous “Dick Van Dyke Show” and was obviously inspired by recent events of Beatlemania.
On December 9, 1965, the CBS show “Gilligan’s Island” followed suit with an episode titled “Don’t Bug the Mosquitoes” when a popular American British Invasion-like band called The Mosquitoes, a name obviously taken to emulate The Beatles, wash up on the desert island in the show’s second season. The members of the rock group are Bingo, Bango, Bongo and Irving. They perform their hit songs “Don’t Bug Me” and “He’s a Loser”, complete with the Beatle-esque format of two guitarists and a bass player upfront and a drummer in back, as well as shaking their heads of hair like The Beatles. The goal of the castaways is to make life miserable on the island for the band members so they will want to leave, and hence take the castaways with them back to the mainland.
The Mosquitoes were played by Les Brown, Jr. and the folk group The Wellingtons. Later in the episode, the three women castaways on the island – Ginger, Mary Ann, and Mrs. Howell – form their own pop trio called The Honey Bees and perform their original song “You Need Us”. As was the case in every episode of “Gilligan’s Island” when a visitor or visitors come to the island, The Mosquitoes leave the inhabitants on the island without rescuing them.
Only a week after appearing on “The Dick Van Dyke Show” as fictitious British Invasion stars, Chad & Jeremy appeared on “The Patty Duke Show” as the duo “Nigel & Patrick” in the episode title “Patty Pits Wits, Two Brits Hits”. Cathy Lane, one of the two “identical cousins” characters played by Patty Duke, was doing a classical musical show on a local radio station and meets up with the struggling duo Nigel & Patrick. She becomes determined to help get them signed to a contract to make a record. She finds them and agent and a record is made en route to success. The duo sings the Chad & Jeremy hits “A Summer Song” and “Yesterday’s Gone” on the show, and of course there is a happy sitcom ending.
In all three of these sitcom episodes, Beatlemania was the undisputed undercurrent. Needless to say, while these shows aired, television executives were already in the planning stages of a thirty minute sitcom entirely based on The Beatles and Beatlemania. “The Monkees” debuted on September 12, 1966
Of course, there have been many songs in the Top 40 that have mentioned The Beatles. In the early days of Beatlemania, there were several novelty songs, the most famous of which was “We Love You Beatles”, the 1964 novelty song by The Carefrees.
Countless other mentions of The Fab Four have been noteworthy. Some of them have been Mott The Hoople’s “All the Young Dudes” with the lyrics “….and my brother back at home with his Beatles and his Stones.” Another memorable mention can be found in the 1970 Temptations’ song “Ball of Confusion (That’s What the World is Today)” with the lyrics “Unemployment rising fast, the Beatles’ new record’s a gas”. Other prominent mentions can be found in the 1985 hit “Life in a Northern Town” by Dream Academy, and in the 1989 number one hit “We Didn’t Start the Fire” by Billy Joel. There are many more examples.
“Never Been to Spain” was a # 5 hit on the Billboard Hot 100 for Three Dog Night in 1971, appearing on their album Harmony. It was released after their top ten hit “An Old Fashioned Love Song” and before their single “Family of Man”. Prior to “Never Been to Spain”, Three Dog Night had two number one hits under their belt, “Mama Told Me (Not to Come) in 1970 and “Joy to The World” in 1971. Their third and final number one, “Black and White”, would top the charts in 1972. Between 1969 and 1975, Three Dog Night had twenty Top 40 hits and eleven Top Ten hits.
“Never Been to Spain” was written by Hoyt Axton,and picked up by Three Dog Night. The lyrics go: “Well, I never been to England/ But I kinda like the Beatles”.
The song consists of Axton citing places he has never visited with commentary on the speculative cultural highlights of those locales. He discusses his own travels, making comparisons to more worldly venues.
The final verse is:
Well, I’ve never been to heaven
But I’ve been to Oklahoma
Well, they tell me I was born there
But I really don’t remember
Hoyt Axton also wrote Three Dog Night’s biggest hit, “Joy to the World”, which topped the Billboard charts for six weeks in April and May 1971. Axton has songwriting in his genetics because he was the son of famed songwriter Mae Boren Axton, who was famously known as the “Queen Mother of Nashville”. Mae Boren Axton’s most famous song writing credit is the wildly popular song “Heartbreak Hotel” which she wrote for a young Elvis Presley. She also had the distinction of strategically introducing an unknown Elvis Presley to Colonel Tom Parker. Hoyt Axton also had a famous first cousin, David Boren. David Boren served as Governor of Oklahoma from 1974 to 1974, and then served three terms in the U.S. Senate from 1979 to 1994.
Ironically, the two other number one songs scored by Three Dog Night were also written by songwriters who have famous relatives. Their first number one hit, “Mama Told Me (Not to Come)” was written by Randy Newman. It stayed on top for two weeks in July 1970. The song has the unique distinction of being the number one song on the very first edition of Casey Kasem’s “American Top 40” on the weekend of July 40, 1970. Randy Newman, an accomplished singer/songwriter himself, is the nephew of famed composers Alfred, Emil and Lionel Newman; all three worked on film scores in Hollywood. Alfred Newman won nine Academy Awards, more than any composer in Oscar history. Emil Newman worked on over 200 films and tv shows, earning an Oscar nomination in 1941. Lionel Newman’s career with 20th Century Fox spanned 46 years and 200 movies. He wrote several classic tv themes such as “Dobie Gillis” and “Daniel Boone”. It is no surprise that since the 1980’s Randy Newman has concentrated on writing film scores.
The third and final chart-topper for the band was “Black and White”, which stayed in the top position for one week in September 1972. It was co-written by David Arkin in the 1950’s. David Arkin is the father of actor Alan Arkin and the grandfather of actor Adam Arkin. Alan Arkin received two Oscar nominations for Best Actor, and one for Best Supporting Actor. He won his first and only Oscar for the 2006 movie Little Miss Sunshine for Best Supporting Actor.
Hoyt Axton also wrote the Ringo Starr hit “No No Song” which reached # 3 on the Billboard Hot 100 in 1974, giving the Fab Four drummer his seventh top ten hit in the U.S. In his acclaimed 1991 biography Ringo Starr: Straight Man or Joker, author Alan Clayson wrote of Axton: “To Ringo, he gave a Jamaican-flavoured litany that warned of the horrors of whiskey, cocaine and so forth against the oaradise of total abstinence. Unreleased as a British 45 for fear of Radio One programmers getting the wrong – or right – end of the stick. “No No Song” came within an ace of duplicating the feat of ‘You’re Sixteen’ in the States.”
We recently passed the 60th anniversary of the assassination of President John F. Kennedy last November 22. While there is no connection between the JFK assassination and The Beatles, there is one remote coincidence with someone in the Beatles’ history. Trini Lopez, a person in Beatles history, had a strange relationship with Jack Ruby.
Trini Lopez is not well known in Beatles history, but his intriguing connection to The Fab Four is most unique.
Trinidad “Trini” Lopez III was born in Dallas to Mexican immigrant parents. Despite his sophomore class in high school voting him “The most likely to succeed”, he was forced to drop out of school during his senior year to go to work to help his family economically. However, the “Most likely to succeed” moniker certainly came true during his career.
His 1963 song “If I Had a Hammer” reached number one in 36 different countries and peaked at number three in the U.S. He charted 13 singles on the Billboard Hot 100, including “Lemon Tree”, which reached number 20. Two other songs, “Kansas City” and “I’m Comin’ Home, Cindy”, also scored in the Top 40.
“If I Had a Hammer” was written by Pete Seeger, the American folk singer and social activist who was a 1936 graduate of Avon Old Farms School in Avon, Connecticut. Peter, Paul and Mary would also score a number ten hit with “If I Had a Hammer” in 1962, a year before Lopez’ different and distinctive version of the song.
In 1959 producer Snuff Garrett tried to hire Lopez to front a post-Buddy Holly version of The Crickets, but Lopez was determined to make it on his own. After singing with a label, his 1963 live album Trini Lopez at P.J.’s bolted him onto the radar screen with commercial success and critical acclaim, with the album’s most popular song being “If I Had a Hammer.” The singer also had a minor role in the 1967 cult classic movie The Dirty Dozen, which is famous for its all-star cast.
Lopez’ connection to The Beatles is amazing. From January 16, 1964 to February 4, 1964, Lopez played on a bill with The Beatles at The Olympia Theatre in Paris, along with French singer Sylvie Vartan. The three acts played two shows each night during the week and three shows on weekends. Lopez received top billing for this engagement and The Beatles actually opened for him. After this stand at the Olympia Theatre ended on February 4th with The Beatles opening for Lopez, the four boys made their live U.S. television debut on The Ed Sullivan Show only four days later on February 8. Needless to say, the world of the four lads from Liverpool changed drastically in those four days.
“What happened was, we got booked into the Olympic Theatre, right before they came to America. We were there for a whole month in Paris. Two shows a night, three on Saturday. I used to steal the show from them every night! The French newspapers would say “Bravo Trini Lopez! Who are The Beatles?” Can you believe that? They didn’t have much of an act. They used to just stand there and shake their heads with the hair. The girls loved that hair. We were there in January ’64 for a whole month. In fact, when we finished doing the shows, the last night we were there, reporters came to my dressing room. My dressing room was next to theirs and they said “Mr. Lopez, The Beatles are leaving tomorrow for New York. Do you think they’ll be a hit?” I said “I don’t think so.” I whispered ’cause I didn’t want them to hear me. They said “Why not?” I said “Because in America there’s a group I like much better than these guys called The Beach Boys.” And I really liked ’em much better. Little did I know…(laughs) Unbelievable. But, it was a great experience being with them.”
In this same interview, the famed Mexican-American performer acknowledges that he got his start working for a few years performing at Jack Ruby’s Carousel Club in his native Dallas. The Carousel Club was a night club owned and operated by Ruby, and had obvious connections to crime syndicates. Lopez stresses in the interview that contrary to popular belief, Ruby did not help him secure his first record deal and did not advance his career at all. By the time Jack Ruby shot Lee Harvey Oswald on November 24, 1963, Trini Lopez was already an established international star with “If I Had a Hammer” a number one hit throughout the globe in 36 countries, in addition to the many other nations where it placed high on the charts.
Ironically, one odd coincidence between the Kennedy assassination and pop music is not well known. There have been conspiracy theorists who spin that so many important people coincidentally happened to be in Dallas on the day of the assassination such as former Vice President Richard Nixon flying out of Love Field that morning; also, theories abound that the primary architects of Operation Mongoose, the CIA plot to assassinate Fidel Castro, were in the city as well. Many other important names can be found in these unsubstantiated stories and conspiracy theories.
However, what are the odds that the artists with the number song on the Billboard Hot 100 on that very day were in Dallas on November 22, 1963? The number one song on that fateful day was “I’m Leaving It All Up to You” by Dale and Grace. This duo with the top song in the land was in Dallas on that day as part of the “1963 Caravan of Stars” tour, organized by Dick Clark. They were scheduled to appear on the night of November 22 at the Dallas Memorial Auditorium in Dallas, which was only three blocks from Dealey Plaza. Needless to say, the concert was canceled. Dale and Grace, and the other performers, were staying at a hotel right near Dealey Plaza at the time of the assassination. Lists of the noteworthy people who were alleged to have been in Dallas on that day do not include Dale and Grace, who were in the midst of a two week run at the top of the charts.
There was a period of 79 days between the assassination of President Kennedy on November 22, 1963 and the wildly famous appearance of the four Liverpudlians on The Ed Sullivan Show on February 8, 1964 in which young people could sense the stagnancy in the morale of the country. Many children were forced to watch the unfolding drama in Dallas and the president’s funeral when they would have rather been outside playing with friends. This 79 day interim after the tragic assassination ended “Kennedy 1960’s” ushered in among the younger generation and even some adults a feeling of youth, fun, and positive energy that was conspicuously absent in the soul of the country during the dark 79 day period. The Beatles were obviously ready to move on after opening for Trini Lopez in Paris during that time period. The United States was ripe for their energetic live national television debut on The Ed Sullivan Show to say the least.
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